Don't confuse them. One is the beloved Supreme Court Justice. The other, with the flip of a letter, refers to the color wheel used in electronic media. Much as we hold dear the inimitable—and, we hope, immortal—Ruth Bader Ginsburg, RGB refers to the three colors that combine to produce the range of hues we see in electronic devices. For this curated post we focus on The Glorious RGB. In other words: C O L O R and all its variations of hue and saturation, tint and tone.
All images (c) the individual artists
Don't confuse them. One is the beloved Supreme Court Justice. The other, with the flip of a letter, refers to the color wheel used in electronic media. Much as we hold dear the inimitable—and, we hope, immortal—Ruth Bader Ginsburg, RGB refers to the three colors that combine to produce the range of hues we see in electronic devices. For this curated post we focus on The Glorious RGB. In other words: C O L O R and all its variations of hue and saturation, tint and tone.
All images (c) the individual artists
Doreen McCarthy
Voluptuary, 2017, inflated vinyl, installation at Guest
Spot at the RE Institute, Baltimore
While many images here feature paintings and works on paper, a number of other mediums step outside those parameters--sculpture, installation, and prints, as you can see in these opening images--as well as assemblage, light sculpture, cyanotype, photography, digital drawing, and work in fiber, cardboard, wax, and the detritus of family life. Most of the works you see here are recent, but I encouraged artists to dip into their archive for their most chromatic expressions. Although abstraction prevails, there's some fine representational work in the mix, including an homage to R.B.G. in RGB.
Susan Luss
in collaboration with Alexandra Rutsch Brock
Summer in the City, 2020, installation in the Sheep Meadow in Central Park
Karen Freedman
Ruche-0352.127A, archival pigment print on aluminum, 16 x 16 inches
Deanna Sirlin
Strata V, 2020, translucency on glass, installed at Centro de Arte e Cultura, Fundação Eugénio de Almeida, Évora, Portugal; one of 20 windows, each 94 x 45 inches
Mark Wethli
Turnstile, 2015, flashe on canvas, 24 x 18 inches
Lloyd Martin
Verve, 2018, oil on canvas, 66 x 84 inches
Steven Baris
Drift
D2, 2013, oil on Mylar, 24 x 24 inches
Don Voisine
Lipstick Traces, 2020, oil on panel, 10 x 10 inches
Gabriele Evertz
Contrast and Assimilation. 2009, acrylic on canvas, 24 x 24 inches
Karen Hubacher
Local Color.01, 2012; paper, canvas, cane, acrylic, oil on panel, 8 x 6 inches
Ian MacLeod
Sudoku #111, 2011, digital image, 18 x 18 inches
Lisa Nanni
Opposing Cobalt and Ruby Red Waves, 2015; metal, glass, acrylic, neon and argon tubing,transformer; 24 x 28 x 3 inches
Carolanna Parlato
Hopscotch, 2020, acrylic on canvas, 24 x 30 inches
Altoon Sultan
Two Handles, 2020, egg tempera on calfskin parchment, 12 x 9.5 inches
Laurie Goddard
Words, 20189, acrylic on panel, 14 x 10 inches
Beverly Rautenberg
[My] Favorites, 2018, enamel on wood, 2 x 10 x 2 inches
Jeanne Williamson Ostroff
Resilient Fences #1, 2019, mixed media on stiffened fabric, 24 x 57 inches
Red, Yellow, Blue, 1, 2, 3, 2019, acrylic on papers, triptych, each 12 x 9 inches, shown against detail
Mamie Holst
A Town Called Mindington #14, 2010, acrylic and colored pencil on paper, 13 x 22 inches
A Town Called Mindington #14, 2010, acrylic and colored pencil on paper, 13 x 22 inches
Nancy Natale
Climbing, 2020, monoprint collage, 27 x 21 inches
Jerome Hershey
Fields #11 (Despite the Pandemic), 2020, acrylic on panels, 71 x 71 inches
Crash #2, 2017; acrylic, graphite, thread on canvas, 36 x 36 inches
4.19. 2019, acrylic on fabric, 10.75 x 10.25 inches
Cyndy Goldman
In the Pocket #10, 2017, wax and oil on panel, 12 x 9 inches
Assunta Sera
Fragment 2, 2018, oil on shaped panel, 25 x 22 inches
Hex ph3 (untitled), 2019, pigment and medium on wall-floated plexi, app. 12 x 8 inches
What Next?, 2020, gouache and wax, 12 x 12 inches
Cora Jane Glasser
Query (Red), 2009, encaustic on 400-lb. paper, 15 x 12 inched, two parts
Darla Bjork
Windows. With a Nod to Philip Guston, 2020, oil pastel on panel, 24 x 24 inches
Anne Russinof
Through the Roof, 2016, oil on canvas, 40 x 46 inches
Ken Johnson
2 Chickens, 1 Pie at Tom and Judy's, acrylic and graphite on paper, 8 x 8 iinches
Julie Karabenick
Contact, 2019, acrylic on panel, 24 inches diameter
Contact, 2019, acrylic on panel, 24 inches diameter
Lynda Ray
Red Eclipse, 2014, encaustic on panel, 20 x 24 inches
Jane Sangerman
Kelvin D105, 2020, mixed media on Shizen paper, 18 x 12 inches
Karen Schifano
Wide Open, 2014, acrylic on canvas, 32 x 38 inches
Laura Gurton
Body of Light, 2020, archival digital print on paper, 24 x 24 inches
Jo Yarrington
After Rotary Demosphere, 2018, cyanotype, 15 x 15 inches
Lisa Barthelson
Mandala All Consuming, Family Debris, 2016, mixed media on raised panel, 46 x 46 x 7 inches
Susan Lasch Krevitt
Squared Peg, 2020, mixed media with encaustic and cardboard, 16 x 9 x 5 inches
Winston Lee Mascarenhas
Black Lake, 2015, encaustic on panel, 48 x 48 x 5 inches, shown against detail
Harmonizations XIII, 2019; silver/gold/aluminum/copperpoint, copper and aluminum metal pad, navy blue gesso on panel, 24 x 24 inches
Untitled (red and blue), 2020, ink on Tyvek, 14 x 10.5 inches
Barbara Laube
After Giotto, 2020, oil on panel, 11 x 9 inches
Robin Feld
Blossom Crush, 2020, oil on canvas, 40 x 30 inches
Kylie Heidenheimer
Hedge, 2019, oil on canvas, 52 x 43 inches
Alyce Gottesman
Rangadravya, 2018; acrylic, ink, graphite on canvas, 66 x 50 inches
Deborah Peeples
Through the Quagmire, 2020, encaustic on panel, 16 x 16 inches
Macrocell 6, 2013, encaustic and pigmented shellac, 24 x 24 inches
Finding My Way 4, 2020, oil on panel, 30 x 30 inches
Pat Spainhour
Sashay, 2019, encaustic on paper, 26 x 26 inches
Jodie Manasevet
Greenorangespace, 2005, oil on canvas, 54 x 54 inches
Claire Seidl
It Goes Without Saying, 2015, oil on linen, 51 x 45 inches
Bernd Haussmann
Red, Green, Yellow, and Blue (#2485), 2015, mixed media on Dibond, 56 x 48 inches
Rebecca Crowell
In the Presence of Antiquity, 2019, oil and cold wax on panel, 36 x 28 inches
Susanne Arnold
Colorblocks 2, n/d, colored inks on napkin, 9 x 9 inches
Vivian Wolovitz
Artifact VIII, 2020, oil on canvas, 12 x 12 inches
Lynda Fay Braun
New England Summer, 2017, image transfer and acrylic on panel
Dona Mara
Verdant Field, 2019, oil and cold wax, 24 x 18 inches
Dora Ficher
Water Blue, 2017; encaustic, collage, and oil pigments, 8 x 8 inches
Michael Palladino
Ether I, 2009, photograph with encaustic, 16 x 16 inches
Ether I, 2009, photograph with encaustic, 16 x 16 inches
Carol Pelletier
West
Beach, 2019, oil and cold wax on panel, 10 x 10 inches
Terri Dilling
Eventide, 2020, acrylic on canvas, 41 x 54 inches
Josette Urso
Slippery Stone 2, 2017, watercolor on paper, 12 x 16 inches
Unraveling. 2020; fabric, thread, acrylic paint, 36 x 30 inches
Serena Bocchino
Surfboard, 2016, enamel and mirrors on canvas, 42 x 36 inches
Lia Rothstein
Untitled, 2018; joomchi with encaustic, handmade papers, paper yarn; 12 x 8 x 1.5 inches
Alicia Forestahl-Boehm
Living Together-but-Separate Lives, 2012; encaustic, cheesecloth, wire, twine; 5 x 8 x 9 inches
Living Together-but-Separate Lives, 2012; encaustic, cheesecloth, wire, twine; 5 x 8 x 9 inches
Ravenna Taylor
Many Rivers, oil, 24 x 22.5 inches
Oriane Stender
Untitled Woven Painting, 2020, handwoven silk and cotton, painted with screenprinting ink and pigment dispersion, 38 x 27 inches, with detail in foreground
Untitled Woven Painting, 2020, handwoven silk and cotton, painted with screenprinting ink and pigment dispersion, 38 x 27 inches, with detail in foreground
Stephanie Sachs
Wide Open Dreams 12, 2017, oil on panel, 10 x 8 inches
Joanne Mattera
Silk Road 425, 2108, encaustic on panel, 18 x 18 inches
Silk Road 425, 2108, encaustic on panel, 18 x 18 inches
Louise Blyton
The Sky Wanders By, 2019, acrylic on linen, 10 x 12 x 12 inches
The Sky Wanders By, 2019, acrylic on linen, 10 x 12 x 12 inches
Maddy Rosenberg
Yellow, Red, Blue, 200-2001, oil on panel, each 22 x 20 inches
Above: Blue
Yellow, Red, Blue, 200-2001, oil on panel, each 22 x 20 inches
Above: Blue
Below: the three together
ll
Standing on My Own Two Feet, 2018; encaustic on panel with found objects, gold leaf, found papers; 53 x 48 x 1.5 inches
Lucy Meskill
A Well-Deserved Rest, 2016,12 x 12 x 12 inches
Petey Brown
Olive Oyl, 2020, oil on linen, 16 x 16 inches
Caroline Golden
Bluebird of Happiness, 2015, paper collage, 20 x 25 x 2 inches
Dan Addington
Blood Ties, 2018; oil, pencil, plaster on found book; 9 x 6 inches, with side view right
Helen Dannelly
Two Cottages with Pasture, 2020, acrylic on canvas, 18 x 14
Andrea Goldsmith
Delray Canal, 2020, acrylic on canvas, 16 x 12 inches
Cecile Chong
Free Horse (in Blue), 2019, encaustic and mixed media, 8 inches diameter
Lily Prince
American Beauty, 17, 2020, acrylic on canvas, 60 x 60 inches
American Beauty, 17, 2020, acrylic on canvas, 60 x 60 inches
Debra Claffey
Blue
Monk, 2019; encaustic, oil, paper; 44 x 90 inches
Jeri Eisenberg
Lily Pads, No. 7, 2019, pigment ink on Kozo with encaustic medium, 36 x 22.5 inches
Lily Pads, No. 7, 2019, pigment ink on Kozo with encaustic medium, 36 x 22.5 inches
Summer Garden, 2020, encaustic and oil on panel, 8 x 8 inches
Sas Colby
Summer Garden, 2014, acrylic on canvas, 40 x 35 inches
Frank Hyder
Sequestered
Dream, oil on carved wood, 42 x 48 inches
Bascha Mon
POW! For R.B.G.--Power and Love--Intermezzi #13, 2018; carbon pencil, gouache, charcoal pencil on paper; 5.5 x 8 inches
What's a post on RGB without R.B.G.? Yes, that's the Justice, painted by the artist with her left hand, due to a right-shoulder injury that prevented her from using her dominant hand. Says Mon: "There was no attempt at a likeness, but I gave her the white
ruff for her black gown. I was more interested in the color contrast--the red/green duality--to help show her power. I was not conscious of this at
the time, but made her head larger than the sun, perhaps to show her importance
to our world."
Readers: If you are moved to support this blog, the Donate button is on the sidebar just down from the top. You don't have to drop a bundle; a donation the amount of a movie ticket would be most welcome. Thank you.
WOW! What a diverse and interesting group of exceptional work! I am honored to be included! Thank you Joanne.
ReplyDeleteFabulous, wonderful, glorious. Thanks, Joanne!
ReplyDeletewow great collection once again Joanne!
ReplyDeleteExcellent selection of exceptional work. Congratulations to all the artists selected!
ReplyDeleteWonderful! Thanks so much! Brilliant throughout and ends with a bang with Bach’s Mon’s image and words!
ReplyDeleteWhat an exciting array and an impressive flow achieved through your curating—and I’m equally glad to be part of any homage to Ruth Bader Ginsberg! Thank you, Joanne
ReplyDeleteAn honor to be amongst so many kindred studio spirits.
ReplyDeleteBeautiful spectrum, eye candy for the weary world. Thanks for including me, Dona Mara
ReplyDeleteMade my day! Thank you Joanne.
ReplyDeleteThis is such a rich visual treat! It is a great honor to have my painting in the company of these beautiful works. Thank you, Joanne.
ReplyDeleteThank you for orchestrating this beautiful exhibition Joanne
ReplyDeleteOnce again a lovely grouping of works! Brava Joanne.
ReplyDeleteSo honored to be in such great company. Beautiful collection! Thank you for your time and talent putting this together!
ReplyDeleteFantastic collection! Made my day!
ReplyDeleteBeautiful color and curation! Thank you Joanne.
ReplyDeleteReally wonderful to peruse your curation projects online. Great job Joanne! And an honor to have a piece included.
ReplyDeleteSuch wonderful work and quite a few new artists I’m not familiar with. I love how you continue to support artists Joanne. 💪❤️
ReplyDeleteSo excellent. Thank you Joanne. Not only is the work of high quality but your curation creates a flow which brings out the best in all.
ReplyDeleteLively, energetic collection.Loved the chromatic flow of color! Thanks for including me with this accomplished group of artists.
ReplyDeleteLooking at this a second time, more slowly. Amazed and intrigued by the choices and how they flow, not only with color but similar interests in texture, subjects and feeling. Brava Joanne.
ReplyDeleteI loved seeing all of these work!!! Thank you so much!
ReplyDeletethe joy of color!
ReplyDelete